Month: December 2021

Cue	Notes
PSYCHOANALYSIS	Freudian theory components are: the defeating search or humans self destructive behaviors The deeper search is part of our earlier years when humans first created since they are implemented in our behaviors. The isolation of humans from the outside world to insulate us makes the death more common. The penis envy is a term to describe the idea of owning land or voting. Meaning if someone wants to work effectively with world then the socio political freedom and power of women when it’s truly envied, men like. Freudian lens determines how wanting to control criminals in a film because the female in a film want to be viewed as superior talent and dedicated person when catching a criminal.

Summary

Introduction

• Saving Private Ryan (1998) dir. Steven Spielberg
• Three Colors: Blue (1993) dir. Krzysztof Kieślowski
• Casablanca (1942) dir. Michael Curtiz
  • It’s a hollywood classic
• The Record of a Tenement Gentleman (1947) dir. Yasujirō Ozu
• Odd Man Out (1947) dir. Carol Reed
  • The trouble of the guy was portrayed in the reflection bubbles of the drink.
• Two or Three Things I Know About Her (1967) dir. Jean-Luc Godard
  • The same idea is sued that a characters is looking in the bubbles to see his troubles.
• Taxi Driver (1976) dir. Martin Scorsese
• The French Connection (1971) dir. William Friedkin

1895-1918: The World Discovers a New Art Form or Birth of the Cinema

• Traffic Crossing Leeds Bridge (1888) dir. Louis Le Prince
  • Thomas Edison.
• The Kiss (1896 film) (a.k.a. May Irwin Kiss) (1896) dir. William Heise
• Workers Leaving the Lumière Factory (1895) dir. Louis Lumière
• Arrival of a Train at La Ciotat (1896) dir. Louis Lumière
• Annabelle Serpentine Dance (1894-1896 ?) dir. William Kennedy Dickson or William Heise
  • The jokes were unsophisticated.
• Sandow (1894) dir. William Kennedy Dickson
• What Happened on Twenty-third Street, New York City (1901) dir. George S. Fleming and Edwin S. Porter
• Cendrillon (1899) dir. Georges Méliès
• Le voyage dans la lune (1902) dir. Georges Méliès
• La lune à un mètre (1898) dir. Georges Méliès
• The Kiss in the Tunnel (1899) dir. George Albert Smith
• Shoah (1985) dir. Claude Lanzmann
• 2001: A Space Odyssey (1968) dir. Stanley Kubrick
• The Sick Kitten (1903) dir. George Albert Smith
• October: Ten Days That Shook the World (1928) dir. Sergei Eisenstein
• Once Upon a Time in the West (1968) dir. Sergio Leone
• The Corbett-Fitzsimmons Fight (1897) dir. Enoch J. Rector

1903-1918: The Thrill Becomes Story or The Hollywood Dream

• Life of an American Fireman (1903) dir. Edwin S. Porter
• Sherlock Jr. (1924) dir. Buster Keaton
  • He shot a scene using a double exposure.
• The Horse that Bolted (1907) dir. Charles Pathé
• The Assassination of the Duke of Guise (a.k.a. The Assassination of the Duc de Guise) (1908) dir. Charles le Bargy and André Calmettes
• Vivre sa vie (1962) dir. Jean-Luc Godard
• Those Awful Hats (1909) dir. D. W. Griffith
• The Mended Lute (1909) dir. D. W. Griffith
• The Abyss (1910) dir. Urban Gad
• Stage Struck (1925) dir. Allan Dwan
• The Mysterious X (1914) dir. Benjamin Christensen
• Häxan (1922) dir. Benjamin Christensen
• Ingeborg Holm (1913) dir. Victor Sjöström
• The Phantom Carriage (1921) dir. Victor Sjöström
• Shanghai Express (1932) dir. Josef von Sternberg
• The Story of the Kelly Gang (1906) dir. Charles Tait
• The Squaw Man (1914) dir. Oscar Apfel and Cecil B. DeMille
• The Empire Strikes Back (1980) dir. Irvin Kershner
• Falling Leaves (1912) dir. Alice Guy-Blaché
• Suspense (1913) dir. Phillips Smalley and Lois Weber
• The Wind (1928) dir. Victor Sjöström
• Rescued from an Eagle’s Nest (1908) dir. J. Searle Dawley
• The House with Closed Shutters (1910) dir. D. W. Griffith
• Way Down East (1920) dir. D. W. Griffith
• Orphans of the Storm (1921) dir. D. W. Griffith
  • Some of images have planned motion for which it moves us.
• The Birth of a Nation (1915) dir. D. W. Griffith“““
• Rebirth of a Nation (2007) dir. DJ Spooky
• Cabiria (1914) dir. Giovanni Pastrone
• Intolerance (1916) dir. D. W. Griffith
• Souls on the Road (a.k.a. Rojo No Reikan) (1921) dir. Minoru Murata

9:41 Cinematography experts need to be creative with the cameral

10:44 lighting is important to show how much tension is in the scence

12:31 Consistent and clear communication

5:45 Building animatics are important to predict how the flow of the film can look like.

7:15 Camera placement can determine the emotion of the audience

9:15 You can make short films with low cost